{"id":186,"date":"2009-05-27T00:46:16","date_gmt":"2009-05-26T22:46:16","guid":{"rendered":"http:\/\/www.3-ca.org\/?page_id=186"},"modified":"2020-10-20T14:01:52","modified_gmt":"2020-10-20T12:01:52","slug":"yoshioka","status":"publish","type":"page","link":"https:\/\/www.3-ca.org\/?page_id=186","title":{"rendered":"Yumiko\u00a0Yoshioka"},"content":{"rendered":"\n<h3><strong><span style=\"color: #800000;\">Avant l&rsquo;aube<\/span><\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"is-layout-flex wp-block-gallery-1 wp-block-gallery columns-4 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image1.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"397\" height=\"317\" src=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image1.jpg\" alt=\"\" data-id=\"1304\" data-full-url=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image1.jpg\" data-link=\"http:\/\/3-ca.org\/?attachment_id=1304\" class=\"wp-image-1304\" srcset=\"https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image1.jpg 397w, https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image1-300x240.jpg 300w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image2.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"397\" height=\"317\" src=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image2.jpg\" alt=\"\" data-id=\"1305\" data-full-url=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image2.jpg\" data-link=\"http:\/\/3-ca.org\/?attachment_id=1305\" class=\"wp-image-1305\" srcset=\"https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image2.jpg 397w, https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image2-300x240.jpg 300w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image3.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"397\" height=\"317\" src=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image3.jpg\" alt=\"\" data-id=\"1306\" data-full-url=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image3.jpg\" data-link=\"http:\/\/3-ca.org\/?attachment_id=1306\" class=\"wp-image-1306\" srcset=\"https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image3.jpg 397w, https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image3-300x240.jpg 300w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image4.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"397\" height=\"317\" src=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image4.jpg\" alt=\"\" data-id=\"1307\" data-full-url=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image4.jpg\" data-link=\"http:\/\/3-ca.org\/?attachment_id=1307\" class=\"wp-image-1307\" srcset=\"https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image4.jpg 397w, https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image4-300x240.jpg 300w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image5.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"397\" height=\"317\" src=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image5.jpg\" alt=\"\" data-id=\"1308\" data-full-url=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image5.jpg\" data-link=\"http:\/\/3-ca.org\/?attachment_id=1308\" class=\"wp-image-1308\" srcset=\"https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image5.jpg 397w, https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image5-300x240.jpg 300w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image6.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"397\" height=\"317\" src=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image6.jpg\" alt=\"\" data-id=\"1309\" data-full-url=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image6.jpg\" data-link=\"http:\/\/3-ca.org\/?attachment_id=1309\" class=\"wp-image-1309\" srcset=\"https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image6.jpg 397w, https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image6-300x240.jpg 300w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image7.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"397\" height=\"317\" src=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image7.jpg\" alt=\"\" data-id=\"1310\" data-full-url=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image7.jpg\" data-link=\"http:\/\/3-ca.org\/?attachment_id=1310\" class=\"wp-image-1310\" srcset=\"https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image7.jpg 397w, https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image7-300x240.jpg 300w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image8.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"397\" height=\"317\" src=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image8.jpg\" alt=\"\" data-id=\"1311\" data-full-url=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image8.jpg\" data-link=\"http:\/\/3-ca.org\/?attachment_id=1311\" class=\"wp-image-1311\" srcset=\"https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image8.jpg 397w, https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image8-300x240.jpg 300w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image9.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"397\" height=\"317\" src=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image9.jpg\" alt=\"\" data-id=\"1312\" data-full-url=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image9.jpg\" data-link=\"http:\/\/3-ca.org\/?attachment_id=1312\" class=\"wp-image-1312\" srcset=\"https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image9.jpg 397w, https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image9-300x240.jpg 300w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image10.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"397\" height=\"317\" src=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image10.jpg\" alt=\"\" data-id=\"1313\" data-full-url=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image10.jpg\" data-link=\"http:\/\/3-ca.org\/?attachment_id=1313\" class=\"wp-image-1313\" srcset=\"https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image10.jpg 397w, https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image10-300x240.jpg 300w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image11.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"397\" height=\"317\" src=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image11.jpg\" alt=\"\" data-id=\"1314\" data-full-url=\"http:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image11.jpg\" data-link=\"http:\/\/3-ca.org\/?attachment_id=1314\" class=\"wp-image-1314\" srcset=\"https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image11.jpg 397w, https:\/\/www.3-ca.org\/wp-content\/uploads\/2020\/10\/danse_yioshioka_image11-300x240.jpg 300w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><em><span style=\"color: #888888;\">English translation below<\/span><\/em><\/p>\n\n\n\n<p>Figure de proue d\u2019un but\u00f4, qui s\u2019ouvre aux influences culturelles, elle reste fid\u00e8le aux fondements de cette danse \u00ab\u00a0entre lumi\u00e8re et t\u00e9n\u00e8bres,\u2026.un lieu aux sources de la vie\u00a0\u00bb<\/p>\n\n\n\n<p>Elle a \u00e9t\u00e9 membre de la compagnie de danse But\u00f4 \u00ab\u00a0Ariadone\u00a0\u00bb avec Ko Murobushi et Carlotta Ikeda, son nom de sc\u00e8ne \u00e9tait alors Hanaoka Mizelle.<br>En 1978, ces trois danseurs ont pr\u00e9sent\u00e9, \u00e0 Paris, le premier spectacle de danse but\u00f4 en Europe \u00ab\u00a0Le dernier Eden\u00a0\u00bb.<br>En 1988, elle rejoint \u00ab\u00a0Tatoeba\u00a0\u00bb (Th\u00e9\u00e2tre Danse Grotesque), cette compagnie germano-nipponne exp\u00e9rimente le mariage du But\u00f4 avec la danse expressionniste moderne. Elle collabore avec un grand nombre de chor\u00e9graphes, dont Maro Akaji (Dairakudakan), et Kim Itoh .<br>En 1995, elle s\u2019installe au ch\u00e2teau de Broellin, pr\u00e8s de Berlin, elle y fonde le \u00ab\u00a0Ten Pen Chii art labor\u00a0\u00bb, ses pi\u00e8ces, \u00ab\u00a0N. Yoin\u00a0\u00bb, \u00ab\u00a0Da-Ppi\u00a0\u00bb, \u00ab\u00a0I-ki\u00a0\u00bb, ou \u00ab\u00a0Test labor\u00a0\u00bb, ont remport\u00e9 de nombreux prix d&rsquo;art sc\u00e9nique exp\u00e9rimental.<br>Elle dirige depuis 1995, le festival international \u00ab\u00a0Ex&#8230;it\u00a0\u00bb.<\/p>\n\n\n\n<p>Yumiko&nbsp; Yoshioka&nbsp; <a title=\"http:\/\/www.ne.jp\/asahi\/butoh\/itto\/yumiko\/\" href=\"http:\/\/www.ne.jp\/asahi\/butoh\/itto\/yumiko\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.ne.jp\/asahi\/butoh\/itto\/yumiko\/<\/a><br><span style=\"color: #ffffff;\">&#8211;<\/span><\/p>\n\n\n\n<p><span style=\"color: #808080;\">One of the main figures of the new but\u00f4, open to cultural influences, Yumiko Yoshioka stands by the fondamental basis of this dance \u00ab\u00a0between light and shadow&#8230; a space deeply rooted in the origin of life.\u00a0\u00bb<\/span><\/p>\n\n\n\n<p><span style=\"color: #808080;\">She has been member of the but\u00f4 dance company called \u00ab\u00a0Ariadone\u00a0\u00bb with Ko Murobushi and Carlotta Ikeda, where she was called Hanaoka Mizelle. In 1978, these three dancers performed in Paris, the first show of but\u00f4 dance in Europe, called \u00ab\u00a0The Last Eden\u00a0\u00bb.<\/span><\/p>\n\n\n\n<p><span style=\"color: #808080;\">In 1988, she joined \u00ab\u00a0Tatoeba\u00a0\u00bb (Grotesque Theater Dance), which is a German and Japanese company experiencing the relations between But\u00f4 and modern expressionism dance. She collaborated with a number of choreographs, like Maro Akaji (Dairakudakan) and Kim Itoh.<\/span><\/p>\n\n\n\n<p><span style=\"color: #808080;\">In 1995, she settled in the Broellin castle, close to Berlin, where she founded the \u00ab\u00a0Ten Pen Chii art labor\u00a0\u00bb. Her plays called \u00ab\u00a0N. Yoin\u00a0\u00bb, \u00ab\u00a0Da-Ppi\u00a0\u00bb and \u00ab\u00a0Test labor\u00a0\u00bb got a lot of different awards of experimental theatrical art.<\/span><\/p>\n\n\n\n<p><span style=\"color: #808080;\">She has been directing since 1995 the international festival \u00ab\u00a0Ex&#8230;it\u00a0\u00bb.<\/span><\/p>\n\n\n\n<p><strong><br>Danse\/performance<\/strong><\/p>\n\n\n\n<p>Des spectacles de danse But\u00f4 ont \u00e9t\u00e9 organis\u00e9s sous l\u2019intitul\u00e9 \u00ab\u00a0But\u00f4 en solo\u00a0\u00bb par Jean-Baptiste Drevet, pr\u00e9sident de 3CA.<br>Le&nbsp; But\u00f4 est une danse d&rsquo;origine japonaise, elle n&rsquo;est pas seulement un art de la performance, mais \u00e9galement une fa\u00e7on d&rsquo;explorer les relations entre le corps et l&rsquo;esprit. Il s&rsquo;agit d&rsquo;une danse d&rsquo;incarnation, de m\u00e9tamorphose du corps, d&rsquo;anamorphoses pour le spectateur. Cette danse a prolif\u00e9r\u00e9 dans le monde entier sous des formes originales et particuli\u00e8res.<\/p>\n\n\n\n<p>Cette programmation s\u2019est d\u00e9roul\u00e9e dans le cadre du \u00ab\u00a0Caf\u00e9 Reflets pr\u00e9sente\u00a0\u00bb \u00e0 l\u2019int\u00e9rieur du Caf\u00e9 Reflets. Trois repr\u00e9sentations ont eu lieu&nbsp;:<\/p>\n\n\n\n<p>&#8211; Le 19 avril 2003, Masaki Iwana,&nbsp;<a href=\"http:\/\/www.3-ca.org\/?page_id=162\" target=\"_self\" rel=\"noopener noreferrer\">danse en solo<\/a><br>&#8211; Le 7 juin 2003, Yukiko Nakamura, \u00ab\u00a0<a href=\"http:\/\/www.3-ca.org\/?page_id=166\" target=\"_self\" rel=\"noopener noreferrer\">au plus profond de la nuit\u2026<\/a>\u00ab\u00a0<br>&#8211; Le 4 octobre 2003, Yumiko Yoshioka, \u00ab\u00a0avant l\u2019aube\u00a0\u00bb, repr\u00e9sentation donn\u00e9e dans le cadre de la Nuit Blanche.<\/p>\n\n\n\n<p>Deux films sous l\u2019intitul\u00e9 \u00ab\u00a0But\u00f4 en solo\u00a0\u00bb, ont \u00e9t\u00e9 r\u00e9alis\u00e9s par Mayanna Von Ledebur, ils ont \u00e9t\u00e9 co-produits par Jean-Baptiste Drevet, 3CA et April production.<\/p>\n\n\n\n<p><span style=\"color: #ffffff;\">&#8211;<\/span><br><span style=\"color: #808080;\"><strong>Dance\/performance<\/strong><\/span><\/p>\n\n\n\n<p><strong><strong><span style=\"color: #808080;\"><span style=\"font-weight: normal;\">A number of shows of But\u00f4 dance have been organised under the title \u00ab\u00a0But\u00f4 en solo\u00a0\u00bb by Jean-Baptiste Drevet, president of the association 3-Ca. But\u00f4 is a dance that comes from Japan. It is not only a performative art, but also a way to explore the relationships between body and mind. It is an incarnartion dance, a metamorphosis of the body, a anamorphosis for the viewer. This dance has proliferated throughout the entire world, under single and specific manners.<\/span><\/span><\/strong><\/strong><\/p>\n\n\n\n<p><strong><strong><span style=\"color: #808080;\"><span style=\"font-weight: normal;\">This program was part of the \u00ab\u00a0Caf\u00e9 Reflets pr\u00e9sente\u00a0\u00bb, into the caf\u00e9 Reflets. Three performating acts have been played:<br>&#8211; april, the 19th, 2003 <a href=\"http:\/\/www.3-ca.org\/?page_id=162\" target=\"_self\" rel=\"noopener noreferrer\">Masaki Iwana, dance in solo<\/a><br>&#8211; june, the 7th, 2003 <a href=\"http:\/\/www.3-ca.org\/?page_id=166\" target=\"_self\" rel=\"noopener noreferrer\">Yukiko Nakamura, &lsquo;into the deep of the night..<\/a>.\u00a0\u00bb<br>&#8211; october, the 4th, 2003 Yumiko Yoshioka, \u00ab\u00a0before dawn\u00a0\u00bb, act made as part of the \u00ab\u00a0Nuit Blanche\u00a0\u00bb.<\/span><\/span><\/strong><\/strong><\/p>\n\n\n\n<p><span style=\"color: #808080;\"><span style=\"font-weight: normal;\">Two movies untitlted \u00ab\u00a0But\u00f4 en solo\u00a0\u00bb have been realised by Mayanna Von Ledebur and co-produced by J.B. Drevet, 3-CA and April Production.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Avant l&rsquo;aube English translation below Figure de proue d\u2019un but\u00f4, qui s\u2019ouvre aux influences culturelles, elle reste fid\u00e8le aux fondements de cette danse \u00ab\u00a0entre lumi\u00e8re et t\u00e9n\u00e8bres,\u2026.un lieu aux sources de la vie\u00a0\u00bb Elle a \u00e9t\u00e9 membre de la compagnie de danse But\u00f4 \u00ab\u00a0Ariadone\u00a0\u00bb avec Ko Murobushi et Carlotta Ikeda, son nom de sc\u00e8ne \u00e9tait alors Hanaoka Mizelle.En 1978, ces trois danseurs ont pr\u00e9sent\u00e9, \u00e0 Paris, le premier spectacle de<\/p>\n<div class=\"belowpost\"><a class=\"btnmore\" href=\"https:\/\/www.3-ca.org\/?page_id=186\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":150,"comment_status":"open","ping_status":"open","template":"","meta":[],"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.3-ca.org\/index.php?rest_route=\/wp\/v2\/pages\/186"}],"collection":[{"href":"https:\/\/www.3-ca.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.3-ca.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.3-ca.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3-ca.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=186"}],"version-history":[{"count":2,"href":"https:\/\/www.3-ca.org\/index.php?rest_route=\/wp\/v2\/pages\/186\/revisions"}],"predecessor-version":[{"id":1316,"href":"https:\/\/www.3-ca.org\/index.php?rest_route=\/wp\/v2\/pages\/186\/revisions\/1316"}],"wp:attachment":[{"href":"https:\/\/www.3-ca.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3-ca.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3-ca.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}